Weekend Pint: Craft and Growler

Dallas

Dallas Craft Beer Examiner

craft_and_growler_logo_with_borderA growler revolution is underway in the Lone Star State. Little over a year ago, growlers in Texas were the exclusive province of the all-too rare brewpubs, and many dedicated fans of craft beer were unfamiliar with the practice or even the term.

In case you don’t know, a growler is a 64-oz glass container that is filled with beer, sealed and purchased for home consumption. Thanks in no small part to Texas’ own Whole Foods Market, which last year executed a corporate mandate to install wine and beer service areas and growler fills in each of their locations across the state, growler popularity has soared. It also turned out that misinformation about filling growlers abounds and the actual TABC laws are not that restrictive after all, so a few local pubs are catching on to growlers, also.

Where to find good beer

Last November, Dallas saw the first dedicated growler fill station open just off Exposition Avenue in a space facing the entrance to Fair Park. Craft and Growler is the work of Kevin Afghani and Cathrine Kinslow, who did plenty of legal research and decided to build a bar for the express purpose of filling these valuable jugs full of local craft beer and selling them to the public. Although their space is dedicated to selling beer “to go,” it has also been outfitted into a comfortable space to sit and have a beer in a somewhat less- crowded area south of Deep Ellum.

Most growlers are simply filled from an existing tap line — a satisfactory practice for a well-trained bar staff but not ideal. Afghani took the concept one step further and adapted the Blichmann beer gun, a rather fancy homebrewer’s gadget, to serve as the filling tool. Instead of a fixed tap operated by a pull handle, the 30 draught beers sold at Craft and Growler are each dispensed from their own hand tool at the end of a flexible hose, which minimizes foam and maximizes sanitation for the optimal container fill to the benefit of the consumer. And with this setup, filling a pint glass is just as fast and easy as filling a half-gallon growler.

But Craft and Growler is more than just another craft beer bar with a fancy tap setup. One whole wall is dedicated to selling growlers in all shapes and forms, from the traditional 64-oz portion to half that size, and half again, all the way down to individual-serving swing-top bottles. They are offered in various shapes and with several logos, from glass to ceramic to stainless steel, including one exclusive hand-made artisan job costing in excess of $100. Along with the containers are also sold various accessories to securely swaddle and carry your beer-filled glass to and from your home.

No food is available on-site but there are other restaurants nearby, and food trucks are becoming more frequent as Craft and Growler’s popularity grows. Prices are listed at the bar for each and every sized vessel, based on a per-ounce cost, and they will fill any commercial growler, not just their own. Their official grand opening is planned for tomorrow, February 2nd, with prizes, music and a few special local craft beer releases.

Recommended pint: Any of Community Beer Company‘s three beers, all of which are available on tap.

Craft and Growler
3601 Parry Avenue
Dallas, Texas
www.facebook.com/CraftAndGrowler

 

The Common Table reinvents the beer dinner

Dallas

Dallas Craft Beer Examiner

Common TableTraditionally, there are two types of beer-pairing dinners. The most prevalent type is one in which a restaurant provides an evening with multiple food courses, each served with a thoughtfully chosen craft beer (or house beer, if a brewpub) that individually complements the dish. The beers available may follow a theme, or feature a particular brewery, or may be rare or hard-to-find offerings.

Whereas this type of beer dinner is usually hosted by a beer-focused establishment, a second type of beer dinner has arisen from restaurants without a dedicated craft beer focus. This second type is a collaborative effort with one location’s chef and kitchen pairing with a craft beer brewery, bar or retailer. (The World Beer Company, a.k.a. the “Bottle Shop,” excels at this type of event.)

Now The Common Table in Dallas, known for their marvelous food and craft beer pairings, introduce a third type: beer dinner as weekly special. Dubbed the “Poor Man’s Beer Dinner,” this combo is offered every Monday evening and includes four courses paired with four 8-oz samples from their beer menu, all for $29 per person. No reservations are required, just show up and ask for it. (The regular menu is still available as well.)

Why the switch to smaller and weekly? According to manager Corey Pond, hosting beer pairing dinners monthly made each “less special,” with increasing effort required to be creative and original when new releases, seasonal beers or limited batches may not be accessible on such a schedule. The traditional TCT beer-pairing events will continue but less frequently than the recent pace, and each will be more focused and distinctive.

Meanwhile, a more affordable price point available on a drop-in schedule will hopefully make the beer dinner concept more comfortable for those who have never attended such events. It will also allow Chef Mike Smith to revisit some favorite courses and experiment more without committing to a restaurant full of diners all on the same timetable.

The beers selected for each course are from TCT’s current tap and bottle selection, which is considerable even on an ordinary day. The special is ongoing and changes each week, so stop in and give it a try.

Cheers!


Originally published June 28, 2012, at Examiner.com

Dallas as a Craft Beer Town

Something strange has occurred in Dallas during the past year, something not known since the mid-1990s when dot-com money flowed freely and commercial ventures were embraced recklessly and without long-term thought. Dallas is rediscovering craft beer—and making up for lost time in a big way. With no production breweries in Dallas at the beginning of last year, by the end of 2012 at least five are projected to be in full operation.

The last commercial brewery to operate in Dallas proper was the Great Grains Brewery, a terrible operation that mercifully shut down for financial reasons in 2006 over a rather trivial TABC regulation that left it unable to recover. Since that time, Rahr & Sons Brewing (opened 2004) has thrived in Fort Worth and Franconia Brewing (opened 2008) in McKinney but nothing in the Dallas area per se. The only non-chain brewing that has persisted within the city limits has been the Humperdinks brewpub on Greenville Avenue, an orphaned spin-off of the Pacific Northwest-based Big Horn Brewing franchise that went independent a few years ago.

To begin the charge, in October of last year the Deep Ellum Brewing Company became the first craft brewery to open in Dallas in more than five years, setting up in the south end of the Deep Ellum arts district. Owners Scott Frieling and John Reardon hired young brewer Drew Huerter away from the St Louis area, with names such as Schlafly and Mattingly Brewing on his resume. Their first beers have been style-twisting crowd pleasers, a crowd that has regularly mobbed the brewery ever since they opened Saturday tours to the public.

Almost immediately on the heels of Deep Ellum Brewing came Peticolas Brewing, setting up in a small place in an industrial park west of downtown near the Meddlesome Moth. With a legal family legacy in Dallas going back almost as long as there has been a city, Michael Peticolas left a career as a lawyer to pursue his dream of independent brewing. His is a much smaller and more personal operation than Deep Ellum, taking all financial, marketing and brewing responsibilities upon himself and his young family. Peticolas’s first beer was released in January of this year to almost immediate success.

The third in this initial triad to develop throughout the prior year is Lakewood Brewing, who only recently acquired a lease on a site in the White Rock Lake area. Although owner and brewer Wim Bens may have grown up in the Lakewood area of east Dallas, he did so with a Belgian birth certificate and a young enthusiasm for homebrewing. His previews of beers at various promotional events have been excellent, and Lakewood Brewing is expected to be in full production by late spring.

Two newcomers to the Dallas beer scene are also expected to be open later this year. From the common amateur brewing interest of three local friends (Jack Sparks, Brent Thompson and Kat Stevens), Reunion Brewing is born from the coincidence of these three reuniting once again in Dallas for business. Their production brewery is currently under development in west Dallas not too far from Peticolas’ current location.

The second new craft brewery will be Four Corners Brewing of the Oak Cliff area, also the venture of three partners with a shared passion. George Esquivel, Steve Porcari and Greg Leftwich have already hired award-winning veteran brewer John Sims for their operations, and have only recently located a commercial site. With hopes to be open by Labor Day and plans for as many as ten employees their first year, Four Corners may outpace all the rest despite a late start.

To see five production craft breweries sprout within the space of twelve months is simply unprecedented for a city like Dallas, more characteristic of the brewing culture of Austin. Is there room for all these businesses (plus those not yet named) to survive together in our North Texas market? Is the craft beer nature of Dallas truly shifting after all these years, embracing the movement as so many other cities have already? Only time can answer.


Originally published January 29, 2012, at craftbeerusa.blogspot.com.

Welcome to the microbrew revolution

Dallas

Dallas Craft Beer Examiner

424155_10150617909143983_147484638982_9175819_1939426867_nYou are probably unaware of it, but a revolution has been brewing for years right under your nose. That revolution has become known as the craft beer movement, also called the microbrew revolution. You may ask, “You mean those fancy beers right next to my Bud Light?” That is precisely what I mean, only more so. A commercial boom has created an industry this past decade of small and local breweries across the United States, producing close to 100 different recognized beer styles and a few that defy classification. Some beers are historically Old World (re: Europe) styles, and many are uniquely American.

Elevating microbrewed beer

You may also ask, “Why should I care? Nothing’s better than my Corona Extra!” To this, I must respond: Do you prefer choice prime rib or fatty ground chuck? Parmigiano-reggiano or cheese from an aerosol can? Fresh herb-grilled chicken or something resembling a pre-fabricated nugget? So why should your choice of beer be any different?

Wine took this step years ago. Fine wineries began distinguishing their wines from mass-market products, and began to compete with the finest wines available from Europe. Today, American wines enjoy an elevated status, prized in exceptional restaurants that devote separate menus and a focus just for wines—all the while carrying nothing but generic afterthoughts of bland beer brands. There is no reason why beer should not share the same status as a fine vintage.

Craft beer (as opposed to the national brewers) now claims about 8% of the total U.S. beer market. There are roughly some 1400 brewers of various sizes across the nation, ranging from large regional microbreweries to tiny brewpubs, some packaging in bottles and cans and others available only on tap through a local restaurant. The flavors offered in these products can be worlds away from what we have been conditioned to believe that beer should taste like.

You may already be a fan of microbrewed beer, or you may be loyal to your lifelong favorite brand. All I ask is to keep an open mind and open palate, and don’t be afraid to try one of those “fancy” beers every once in a while.

As always, I am open to comments, suggestions, opinions, questions or news about all beer at paul@scientist.com.

Cheers!


Originally published February 7, 2009, at Examiner.com.